TM
New NCERT textbook · Class 9 English

Kaveri, period by period — fitted to your timetable.

Tell Meyy your periods and their length; it plans every chapter of Kaveri to fit, and you tick off sections as you teach.

Chapter 14 · Period 1 of 8 · 50 min

Entering the Poem — Reading Aloud and Pre-Reading Activation

Reading For Comprehension · read-aloud

The poem's central paradox — abundant words that nevertheless fail the heart — can initially confuse students who expect poetry to celebrate language; name that tension early and let it drive curiosity. The pre-reading question in Reflect and Respond (p.220) is the natural anchor: students' own examples of words that comforted or disappointed will make the poem's imagery personal. The word-grid task (p.220) has not been anchored here and may be flagged for self-study.

0–10Teacher opens with the pre-reading question from Reflect and Respond (p.220): Why are words important, and can we communicate without them? Students share responses in pairs, then with the class — a quick paired exchange that surfaces what students already believe about language and communication.
10–30Teacher reads the full poem aloud while students follow in their textbooks (p.220–221). Teacher models the stressed syllables and the ABAB rhyme, pausing at key images — the summer birds, the pilgrim heart, the gaudy plants — to let the imagery settle before discussion.
30–50Students re-read the poem independently, then the class discusses: which stanza struck them most and why? Teacher draws out first impressions of the poem's central paradox — that words, though plentiful, often fail us — without yet resolving the devices or theme formally.
Assessment

Learning outcome. Student analyses poetic devices, theme, and the paradox of language using a poem as the vehicle.

In the third stanza of the poem (p.221), Swain sets a few sincere words against a great many words that reach only the mind. Which of the following best explains why the poet contrasts 'head' and 'heart' in these lines?

  • A Many words may be understood intellectually but still fail to move a person emotionally.
  • B Swain argues that sincere words are too simple to be comprehended by the mind.
  • C The head is the seat of emotion while the heart processes logic and argument.
  • D The poet believes educated people respond to words through reason rather than feeling.

A. Many words may be understood intellectually but still fail to move a person emotionally.

What each wrong option reveals

  • B Confuses sincerity with simplicity and misreads the direction of Swain's argument about comprehension versus feeling.
  • C Reverses the conventional mapping of head and heart; student has not grasped the standard emotional-versus-intellectual distinction.
  • D Introduces an unsupported class-based reading; student may be over-inferring social commentary not present in the stanza.
Chapter 14 · 8 periods of 50 min

Also saved as 5 periods.

  • 2Summarising the Poem — Guided Fill-in and Rhyme Scheme
    Reading For Comprehension
  • 3Devices at Work — Simile, Metaphor, Hyperbole Identified and Explained
    Reading For Comprehension
  • 4Close Reading — Extract-Based Analysis of Two Key Stanzas
    Reading For Comprehension
  • 5Evaluating the Poem — Theme, Contrast, and Loneliness
    Reading For Comprehension
  • 6Figurative Phrases — Matching Meanings and Word Maps
    Vocabulary Grammar
  • 7Voice, Choice, and Beyond — Listening, Speaking, Writing, and Non-verbal Play
    Listening + Speaking + Writing + Beyond Text
  • 8Synthesis — The Paradox of Words Revisited Across Devices, Meanings, and Silence
    Synthesis

Any 3 chapters free · no payment details · then introductory offer ₹499 per subject-stage, per year.